From the 1960s onwards, Picture Palaces were being boarded up, turned
into bingo halls, split into multiscreens or razed to the ground for
redevelopment. Projection equipment was being thrown into skips or sold
for scrap. It was these developments that in 1978 led to the birth of
the PPT by the then BFI Technical Officer, Charles Beddow. Convinced
that much of Britain’s arts heritage would be lost forever, he
successfully created a steering committee and the rest, as they say, is
history.
Run by an eclectic mix of respected industry professionals
and cinema enthusiasts, the trust boasts a world-class collection of
cinema technology artefacts and a growing digital archive that will
eventually become an accessible hub of knowledge for just about anyone
interested in finding out more about this fascinating, if often
overlooked, side of our much-loved business.
With an impressive portfolio of real-world expertise,
ideas as grand as the films we screen and hard-working, enthusiastic
volunteers, the PPT has the potential to become a world leader in the
field of cinema technology preservation.
The PPT, has a base at Dean Clough Mills, Halifax where
the majority of the equipment is stored and there are displays across
the country. The PPT goes well beyond just collecting equipment. The
trust has a huge range of working projection and sound systems and is
able to provide the expertise to install and operate for events such as
film festivals. Equipment can also be provided as props for film makers.
The images change every few seconds. Hover over one to pause and the arrows allow you to move through the 11 images.
Reports are by Dion Hanson unless shown otherwise.
This shows progress up to 17 April 2026
Image 29 shows the new trunking and sound rack in the projection area
in preparation for the wiring runs. Image 30 shows the panelling on the rear wall which could now be
completed as the conduit runs in the wall had all been installed.
This has been a slow process as we had to work around the pillars which
necessitated a lot of work with a jig saw to get the panels to fit snugly. Just a few more bits and pieces of panelling and then we can start
filling and decorating the walls and ceiling. The floor will be the last
thing. All the wall panels in the projection area and theatre have all been
done using recycled material so costs have been kept as low as possible
during construction.
The surround speakers are being installed in the screening room (image 31), it
sounds a bit grand saying auditorium (how many seats make it an auditorium?) Plus all the speaker runs are in and tubed to the sound rack for the 5.1
video presentations (image 32). There are separate runs and speakers for the mono
8mm and 16mm projectors (image 28).
Tom has been busy priming all the new wood work ready for the
various top coats (images 33-35).
Images 36 and 37 show the screening room with a picture on the screen. The video we tested yesterday and 16mm
today. The screen is 2.66 : 1 since we will be doing 16mm scope. We will be showing pictures for the AGM.
However, as can be seen, we are far from done. All the construction is
complete there is just a matter of the soft furnishings to do. Time ran
out as there was so much clearing up and cleaning to do.
22 February 2026
A sequence of images which tells the story of the
equipment donated by Tony Jones who has now retired from doing outdoor
screenings at festivals etc.
The first shows the projectors and flight cases as they were unloaded at
Dean Clough before being taken downstairs to our area. There were also
two Kinoton projectors, a 16mm and a 35mm with lamp houses attached.
The next shows Allan and Richard downstairs receiving and sorting some
of the cases which they opened and the contents distributed onto
shelves. Things like lenses and xenon bulbs were easy but equipment like
the Vic5 was in several cases and had to be built up.
The larger boxes contained an assortment of items such as films which
Peter emptied and put away leaving (after a couple of hours work) an
empty box.
The empty flight cases were then stacked and the plan is to try and sell
these on Ebay as we need the space desperately. Particularly as the AGM
is in a few weeks time.
13 February 2026
The first picture shows the Cambridge University Westar
ready for shipping. Tom Woodcock left us at around 9.30 heading for
Cambridge with the mech and various bits and pieces such as spools,
winder etc. Once he had arrived at Cambridge the kit was
unloaded and had to be further dismantled to get it up the narrow
twisty stairs. The equipment is now on site and awaiting reassembly.
We took all the equipment downstairs in G-Mill and on
Sunday we will begin unpacking the flight cases and finding space for
everything.
We are overflowing now and so must begin
moving on or scrapping various bits and pieces. If anyone is after
anything from a sprocket to a complete projector let me know your
wishes.
3 February 2026
We went down to Tamworth on a bit of a rush job to collect
some kit left to us by a film collector. We had to get the equipment out
before a house clearance company moved in. Having seen pictures, I saw lurking in the background in the garage a complete Powers
machine with stand , it was what they call a 'barn find' I
suppose.
Rob Younger, Peter England and myself headed down there and we also
collected some other nice equipment, such as a pair of Siemens 16mm
machines with one being a double head model. The other two pieces were basically a 16mm telecine machine and a
8/9.5/16mm single frame scanner. The latter requiring a computer and
software to run it, so some research to do there.
11 January 2026
A shot of G-Mill in the winter, looks inviting but it is
bitterly cold in the basement. However, it does mean we work hard to
stay warm.
I have given the Westar base a respray and it is ready for assembly and
final testing before sending to Cambridge University.
Allan Foster is seen checking out the Orcon 1600 before being mounted on
the afore mentioned Westar.
Richard Hawley is in the process of building a DC exciter supply as the
Editola originally had an AC one.
Peter Berry and Michael Baim are busy checking and labelling films in
the archive.
Finally Rob Younger has rebuilt the Cinemeccanica lamp houses for the
Hyde Park Picture House and they will be tested next Tuesday before
shipping to them.
Charles Beddow II
President
Steve Rowley
Restoration Engineer (professional film gauges)
sr@theppt.org
Thomas Hauerslev
International Coordinator
tha@theppt.org
Chris O’Kane
Scotland Coordinator
chris@theppt.org
Chris Clay
Librarian
cc@theppt.org
Thinking of becoming a member?
The Projected Picture Trust would love to welcome you as a new member.
As a member you would be free to participate in
the activities of the trust in any way that suits your time and skills
and meet others with similar interests. Or you can just have the
satisfaction of knowing you are aiding the trust in its efforts to
preserve the magic of cinema.
Members can participate in outings and visits,
including those organised by the Cinema Theatre Association, access the
Member zone on this website and have their say at the annual general
meeting. They receive a copy of our magazine, Rewind, every three months
and have access, via the Member zone of this website, to an archive of
around twenty years of Rewind.
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The PPT Reference library contains well over 800 scanned documents consisting of sales brochures, service and operating manuals and information sheets.
Even if you are not looking for specific information, the library gives a stunning view of what was the vastness of the cinema industry and the many fields it encompassed.