Welcome to the Projected Picture Trust

From the 1960s onwards, Picture Palaces were being boarded up, turned into bingo halls, split into multiscreens or razed to the ground for redevelopment. Projection equipment was being thrown into skips or sold for scrap. It was these developments that in 1978 led to the birth of the PPT by the then BFI Technical Officer, Charles Beddow. Convinced that much of Britain’s arts heritage would be lost forever, he successfully created a steering committee and the rest, as they say, is history.

Run by an eclectic mix of respected industry professionals and cinema enthusiasts, the trust boasts a world-class collection of cinema technology artefacts and a growing digital archive that will eventually become an accessible hub of knowledge for just about anyone interested in finding out more about this fascinating, if often overlooked, side of our much-loved business.

With an impressive portfolio of real-world expertise, ideas as grand as the films we screen and hard-working, enthusiastic volunteers, the PPT has the potential to become a world leader in the field of cinema technology preservation.

The PPT, has a base at Dean Clough Mills, Halifax where the majority of the equipment is stored and there are displays across the country. The PPT goes well beyond just collecting equipment. The trust has a huge range of working projection and sound systems and is able to provide the expertise to install and operate for events such as film festivals. Equipment can also be provided as props for film makers.

What we do

Our base at Dean Clough Mills, Halifax

The images change every few seconds. Hover over one to pause and the arrows allow you to move through the 11 images.

Activities at Dean Clough

Reports are by Dion Hanson unless shown otherwise.

Work has been taking place since last year to provide an additional viewing room for narrow gauge screenings.

Here we show in pictures how members of the Dean Clough team have made steady progress.

This shows progress up to 17 April 2026

Image 29 shows the new trunking and sound rack in the projection area in preparation for the wiring runs. Image 30 shows the panelling on the rear wall which could now be completed as the conduit runs in the wall had all been installed.

This has been a slow process as we had to work around the pillars which necessitated a lot of work with a jig saw to get the panels to fit snugly. Just a few more bits and pieces of panelling and then we can start filling and decorating the walls and ceiling. The floor will be the last thing. All the wall panels in the projection area and theatre have all been done using recycled material so costs have been kept as low as possible during construction. 

The surround speakers are being installed in the screening room (image 31), it sounds a bit grand saying auditorium (how many seats make it an auditorium?) Plus all the speaker runs are in and tubed to the sound rack for the 5.1 video presentations (image 32). There are separate runs and speakers for the mono 8mm and 16mm projectors (image 28).

Tom has been busy  priming all the new wood work ready for the various top coats (images 33-35).

Images 36 and 37 show the screening room with a picture on the screen. The video we tested yesterday and 16mm today. The screen is 2.66 : 1 since we will be doing 16mm scope. We will be showing pictures for the AGM. However, as can be seen, we are far from done. All the construction is complete there is just a matter of the soft furnishings to do. Time ran out as there was so much clearing up and cleaning to do.

22 February 2026

A sequence of images which tells the story of the equipment donated by Tony Jones who has now retired from doing outdoor screenings at festivals etc.

The first shows the projectors and flight cases as they were unloaded at Dean Clough before being taken downstairs to our area. There were also two Kinoton projectors, a 16mm and a 35mm with lamp houses attached.

The next shows Allan and Richard downstairs receiving and sorting some of the cases which they opened and the contents distributed onto shelves. Things like lenses and xenon bulbs were easy but equipment like the Vic5 was in several cases and had to be built up.

The larger boxes contained an assortment of items such as films which Peter emptied and put away leaving (after a couple of hours work) an empty box.

The empty flight cases were then stacked and the plan is to try and sell these on Ebay as we need the space desperately. Particularly as the AGM is in a few weeks time.

13 February 2026

The first picture shows the Cambridge University Westar ready for shipping. Tom Woodcock left us at around 9.30 heading for Cambridge with the mech and various bits and pieces such as spools, winder etc. Once he had arrived at Cambridge the kit was unloaded and had to be further dismantled to get it up the narrow twisty stairs. The equipment is now on site and awaiting reassembly.

We took all the equipment downstairs in G-Mill and on Sunday we will begin unpacking the flight cases and finding space for everything.

We are overflowing now and so must begin moving on or scrapping various bits and pieces. If anyone is after anything from a sprocket to a complete projector let me know your wishes.

3 February  2026

We went down to Tamworth on a bit of a rush job to collect some kit left to us by a film collector. We had to get the equipment out before a house clearance company moved in. Having seen pictures, I saw lurking in the background in the garage a complete Powers machine with stand , it was what they call a 'barn find' I suppose.

Rob Younger, Peter England and myself headed down there and we also collected some other nice equipment, such as a pair of Siemens 16mm machines with one being a double head model. The other two pieces were basically a 16mm telecine machine and a 8/9.5/16mm single frame scanner. The latter requiring a computer and software to run it, so some research to do there. 

11 January 2026

A shot of G-Mill in the winter, looks inviting but it is bitterly cold in the basement. However, it does mean we work hard to stay warm.

I have given the Westar base a respray and it is ready for assembly and final testing before sending to Cambridge University.

Allan Foster is seen checking out the Orcon 1600 before being mounted on the afore mentioned Westar.

Richard Hawley is in the process of building a DC exciter supply as the Editola originally had an AC one.

Peter Berry and Michael Baim are busy checking and labelling films in the archive.

Finally Rob Younger has rebuilt the Cinemeccanica lamp houses for the Hyde Park Picture House and they will be tested next Tuesday before shipping to them.

Meet our team

Charles Beddow II
President

Nigel Wolland MBE FBKS
Chair
Treasurer
Trustee
nw@theppt.org
0208 942 3159

Bill Lawrence
Vice-chair
Trustee
bl@theppt.org
07970 343899

Alex Cooper
Curator
Trustee
Eastern Area Coordinator
ac@theppt.org
07944 201984

 Bob Mandry
Membership ​Secretary
General Secretary
bm@theppt.org

Tom Harris
Archivist
th@theppt.org

Rob Younger
Committee Member

ry@theppt.org

Peter Allen
Committee Member
Restoration Engineer (narrow film gauges)
Central Area Coordinator
pa@theppt.org
01908 366 355

Allan Foster
Committee Member
af@theppt.org

David Ferguson
Committee Member
Admin Secretary
Rewind Editor
df@theppt.org

Allen Taylor
Southern Coordinator
Education Officer
at@theppt.org
01243 849229

Mike Taylor
Northern and NI Coordinator
Health and Safety Advisor
mt@theppt.org
0151 427 2288 

Dion Hanson FBKS
Technical Advisor
dh@theppt.org
07866 732779 

Steve Rowley
Restoration Engineer (professional film gauges)
sr@theppt.org

Thomas Hauerslev
International Coordinator
tha@theppt.org

Chris O’Kane
Scotland Coordinator
chris@theppt.org

Chris Clay
Librarian
cc@theppt.org

How the regions are located

Joining us

Thinking of becoming a member?

The Projected Picture Trust would love to welcome you as a new member.

As a member you would be free to participate in the activities of the trust in any way that suits your time and skills and meet others with similar interests. Or you can just have the satisfaction of knowing you are aiding the trust in its efforts to preserve the magic of cinema.

Members can participate in outings and visits, including those organised by the Cinema Theatre Association, access the Member zone on this website and have their say at the annual general meeting. They receive a copy of our magazine, Rewind, every three months and have access, via the Member zone of this website, to an archive of around twenty years of Rewind.

Rates

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Reference library

The PPT Reference library contains well over 800 scanned documents consisting of sales brochures, service and operating manuals and information sheets.

Even if you are not looking for specific information, the library gives a stunning view of what was the vastness of the cinema industry and the many fields it encompassed.

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